The saddest effect of this self-devastation is that there now will be people who simply by the reputation of the indulger's prudent mask earnestly believe that Geoffrey Fletcher did adapt what became "the greatest achievement in screenwriting" in the year in film 2009, that Argentina did proffer what became "the greatest achievement in foreign-language film-making" in the year in film 2009, and - travesty of travesties - that Sandra Bullock did display what became "the greatest achievement in acting by a leading female" in the year in film 2009. How utterly misguided such people will be, duped by the mask of earlier years and more prudent statuette-presentations that seals the Academy in the minds and the hearts of such an adoring public ad perpetuum, away from any serious critique, any well-reasoned lambaste, and any plucky revile wherefore repeated demerits would not be shuffled under the carpet or else rebranded into "that high-shelf classic" that deserves its gathering devotees. And how the public willingly accepts such misguidance year after year, when the seriously deserving nominees (e. g., Kate Winslet, Peter O'Toole) must jump through hoops to even hope to receive what the likes of Ms. Bullock have received merely by having a hit smile, is beyond my comprehension.
How similarly would either group feel, I wonder, AMPAS or its duped devotees, if the Golden Raspberry Awards, also annually held, too presented its statuettes, designed to recognize utter lack of achievement, nationally publicly and on TV and too made it known that its counterpart statuette (for the least achievement in acting by a leading female in the year in film 2009) has been presented to none other than the woman very same? I shudder to think that they wouldn't even care:
The Oscar to the Razzie-winning actress this year, AMPAS? A new low? Well, OK, if you're sure....
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